Bsp Podcast

This episode of Season 5 of the BSP Podcast features Ellen Moysan, Duquesne University, Pittsburgh, PA. The presentation is taken from our 2020 annual conference: ‘Engaged Phenomenology’ Online.   ABSTRACT: A musical performer plays or composes what is “heard in the mind.” I call this musical phenomenon: “inner song,” and I use a Husserlian framework to describe it as an object of phantasy. In the present paper, I will demonstrate how an accurate description of the inner song requires a rigorous praxis of phenomenology giving voice to actual performers coming from various backgrounds. The “inner song” is a musical phenomenon of phantasy in the sense that it is independent from the perception of a physical sound and constituted in consciousness by the imagination reshaping sensory-data (essentially sounds) in a totally new fashion. It can take two forms: a “pure phantasy object” (improvisation and composition), and a “hearing through seeing” (interpretation from a score); the difference between the two is th